How Long Have I been Editing My Current Novel? (It's Complicated)

 

Not long ago, I was in a monthly meeting with the HWA - Virginia Chapter when I was asked how long I had been editing my current work in progress (WIP), and I was not ready with an answer. I am sure whatever I said sounded evasive, but honestly, I had to think about that question for a while, and was not quite sure what the answer was. The more I thought about it, the more I felt it may make for an interesting blog post about my process and since this is apparently going to be my second completed manuscript ready for submission to agents and / or publishers very soon, it may also make for great promotion for this labor of love.

The current project is titled Blood of the Werewolf, and as the title suggests, it is a werewolf tale. The setting is the early 1800s Great Britain (with a few key scenes in Tibet), which places it in the same universe as my first completed manuscript, The Sorcerer, which is still under consideration at a small press publisher at the time of this writing. I will one day blog about why I have chosen that location and timeframe, but the short version of that answer is, it is the era of literature I studied in college.

Anyway, I began my college career in the mid-1990s and it was around this same timeframe that I started thinking about becoming a author. It turns out to be a very long, hard, and slow process. One thing I did for fun and practice was to write novelizations of some of my favorite horror movies, such as those from Universal Studios. I had no intention of getting these published, but it was a way to try my chops at writing something of some length.

It made me start to think about writing my own stories about vampires, werewolves, and mummies, so I started writing a few longer pieces, more so for my own amusement once again than with any intension of trying to get it published. Once I had a few of these under my belt, I started thinking more seriously about writing a full length novel and hopefully one day getting it published. I decided that with some major revisions, these projects could be made into full length novels.

Those who say writing for yourself is very different from writing for publication are certainly correct. These stories needed a lot of work. In their original form they were only the length of novellas and novelettes as they ranged from 12,000 to 17,00 words. Most publishers like novels to be around 80,000 words. They needed extra scenes, backstories, more thoughts and emotions from characters and other elements to flush them out into full-length novels and make them much better stories in the process. At their heart, they were already novels, really, they just needed to be flushed out to reach their true potential. The first of these stories I did this with was what is now titled The Sorcerer, and in its final form it reached the industry standard for a finished novel at 80,000 words. The second is the one I am working on now, Blood of the Werewolf.

So to finally return to the question above (You do remember the question above, don't you, "How long have I been editing my current novel?") The original 17,000 word version was completed sometime in the late 1990s. Then it was placed in a drawer for a very looooong time. I completed The Sorcerer, and edited it I don't even know how many times, until I decided I could no longer edit it. I finally put what at the time were the finishing touches on The Sorcerer around 2017. And I finally started a major revision of Blood of the Werewolf. But the question now is, does revision count as editing? I would say that since this revision was so massive, it is probably does not count as true editing. It became practically a new story.

But then in 2019 I received a mentorship from Tim Waggoner through the Horror Writers Association. He gave me some good feedback on that novel and insight as to why it was not attracting agents or publishers yet. In order to make Blood of the Werewolf come out right, I had to put it down once again and edit The Sorcerer one last time. This took about another year, which brings us to 2020, the year of Covid. I did work on it some during the pandemic, but like many other authors and publishers, no one was as productive as we wanted to be during those odd two years.

The editing process for Blood of the Werewolf I believe started around 2020 or 2021 (not counting the major revision years). I am now very close to getting this one finished and should have it done very soon. I'm editing page 306 out of 363 and it now totals almost 79,000 words. I will make sure it reaches at least 80,000 words by the time I am finished. It may need one more pass through before I am comfortable sending it out to publishers and agents, but that should only be a light edit to clean up a few things and ensure continuity throughout the novel.

I feel as though I am getting faster and better at this, and I've never missed a deadline when I've been given one. I am also getting excited to write more follow-ups to these stories, as I have one more, Osiris, that is in a very rough draft at about 13,000 words, and I have notes on numerous others in the series. The fact that I have been able to publish more short stories, poems, and non-fiction articles in recent years also shows I am improving. And keep in mind that I also wrote many of those short stories, poems, and non-fiction articles in between revising and editing these novels. Wish me luck with these and other projects in the future, so that I can post this self-made meme once again:

Recent Cons & Photos

 I thought I would do another one of those blog posts where I present some recent photos. I have been making a few appearances at various cons to sell books and sign people up the Horror Writers Association. I thought I'd throw in a few photos from last Halloween for good measure, so here goes.

Here is the table I set up at Monster Fest at the Chesapeake Central Library in Chesapeake, Virginia in October of last year.

It is with great sadness that I announce the passing of my friend Paul Knight, who was sometimes known as Pauzilla. He always remembered me and my family on Halloween.

Here is another attendee from Monster Fest, who was working a puppet on that day.

I entered the costume contest at Monster Fest as a famous movie murderer from a movie directed by Alfred Hitchcock and a book penned by Robert Bloch. I also moderated a panel on how to write scary scenes in horror which featured Red Lagoe, Pam Kinney, and Justin Cristelli.

Here are last year's yard decorations for Halloween.

The wife and I went out dressed as Jason Voorhees and Ahsoka Tano.

Here was the band for that night, Everafter, at Big Woody's in Chesapeake. I loved their costumes.

There's Laurie Camp as Ahsoka again at Big Woody's.

My daughter, Delaney, also got into the spirit of Halloween and dressed as Pearl from the movie of the same name.

Delaney always challenges me to do a difficult jack-o-lantern. This year, she challenged me to make a Frankenstein Monster. Of course that's Laurie dressed as a ghost in our driveway where we handed out candy.

An now we're up to January where I ran a table at Mars Con in Virginia Beach. This was a rather elaborate costume that I felt was photo-worthy.

A few other authors at Mars Con included, from back to front, Pam Kinney, Sidney Williams, yours truly, and Bryn Grover. It was fun meeting up with the other HWA members and talking with them.

And finally, Laurie entered the costume contest at Mars Con, again as Ahsoka, but don't call her a jedi.

My First StokerCon

I attended my first StokerCon in Pittsburgh, Pennsylvania recently, and took a few photos, which I shared below. I am from Erie, Pennsylvania originally, which is only about 2 hours north of Pittsburgh, so I figured if I didn't make it to this StokerCon, I may never make it to one. You can tell I am from Erie because I just measured distance in time. Anyway, there was a Taylor Swift concert going on not far away, so I could not get a hotel room at the actual con, but found one about 10 minutes away (and I just measured distance with time again. It's an Erie thing, although I imagine a few other areas do that too.). I started out getting a late lunch next door to the con, at the Hard Rock Cafe. I love Hard Rocks, and eat at one every chance I get, especially ones I have not eaten at yet, like this one.

I met up with my friend and author of many books, both fiction and non-fiction, Pam Kinney. We chatted at length about Pittsburgh and current projects. She always has something going on.

I attended several public readings, including this one with another friend I knew online, but this was my first chance to meet him in person, Rami Ungar, seen here in the middle with the top-hat. He was reading from his upcoming short story anthology, Hannah and Other Stories. Next to Rami is Gabino Iglesias, who won this year's Superior Achievement in a Novel for The Devil Takes You Home. He read from his current work-in-progress. On the ends are Jeremiah Dylan Cook on the left and Barbara Cottrell on the right.

I also attended several presentations and panels, which I often enjoy. I won't go into details about them because it would take too much space to do them justice in a blog post such of this length, but I always find them very informative and interesting.

The panel below is from the Ann Radcliffe Academic Conference portion of StokerCon, proving genre fiction, even in the horror genre, can be considered academic.

Between all the panels and presentations, I was able to stop at a Pittsburgh favorite, Primanti Brothers. I love going to local eateries wherever I go. This location of Primanti's was within walking distance of the con and coincidentally was the original location. It is local Pittsburgh legend that their sandwiches were created because the owners forgot to purchase silverware, so they put the coleslaw and French fries into the sandwich. The steel workers at the time enjoyed the sandwich so much, they kept it as their staple. That's an I.C. Light (Iron City Light), the local brew, to wash it down.

I finally got to mee my mentor, Tim Waggoner, face-to-face. I blogged about some of the things he taught me when he was my mentor in a previous post. He also walked away with a Stoker Award during the weekend event. Unfortunately, we did not get a chance to talk for long because he's kind of a BMAC at the HWA, but we did talk briefly about current projects and he agreed to pose for the selfie. Perhaps another time . . .

I also went to the Mass Author Signing where I purchased a number of books from fellow HWA members and got many of them to autograph their books for me. In the center is Classic Monsters Unleashed, edited by James Aquilone. I've had my eyes on that anthology for some time because it contains new stories about all the classic monsters such as Dracula, werewolves, the invisible man, and others. Stories that will truly interest me. I am very much looking forward to reading these other books as well.

And that was my trip to StokerCon in Pittsburgh. It was a great time, and I hope to attend another one some time.

Halloween 2022

Here are some photos from last year's Halloween.

I was challenged to create a raven for the annual jack-o-lantern because we just got a few birds as family pets.

I dressed as Norman Bates for a few Halloween events I attended. I think it turned out pretty well, don't you?

We bought new salt and pepper shakers. I decided to keep these out all year long.

The lawn decorations turned out pretty well this year. I've always loved old cemeteries.

I know this is dark, but here I am handing out candy for the trick-or treaters. Halloween is one of my favorite holidays.

 

Last year's Monster Fest

Let's take a look at a few photos from last year's Monster Fest, which took place on October 1, 2022, in Chesapeake, Virginia at the Chesapeake Central Library.

I worked the table for the Horror Writers Association where I signed up a few prospective members for the organization. The table was positioned between other HWA members, authors Red Lagoe and Pam Kinney. Author Brad Center also worked the table during the day.

I watched the costume contest, which is always fun. These are this past year's winners. I always consider the costume contest to be the main event of Monster Fest each year.

 Here is me displaying the line-up of events for the day. The HWA Virginia Chapter ran a panel / presentation on the importance of joining writing organizations. Overall, it was another fun event put on by Rob and Phyllis Floyd.

2022 By the Numbers

Every year I do this post to publicly state how much I am submitting and how many of those submissions result in successfully publishing one of my works.  Perhaps it will help any readers to gage themselves against what I have done each year. Perhaps many writers submit far more works than I do. Perhaps many submit far fewer. The idea of doing this began when I read a writer's blog (sorry, I cannot remember who) and they said they submit around 100 works per year. I decided I would see how many works I could submit each year. I found that I could submit between 35 and 50 works per year. I now try to work toward that 50 mark as much as possible. I have also found that the more works I submit each year the more of those works end up getting published, on average anyway.

So anyway, here are this year's numbers. I submitted a total of 8 books, although it was actually the same book submitted 8 times, which brings up another point. This is the total number of submissions, which means if the same book is submitted many times (8 in this case) it still counts as 8 submissions. The same holds true of short stories, poems, etc. I am working very hard to finish the follow-up to that first book, and I think I am getting close to deciding to self-publish that first book if I receive a few more rejections. Which brings up yet another point, some of these works I am still waiting to hear back on, including a few submissions of this novel.

I also had 29 short story submissions. Unfortunately, only one of those were successful this year, but again, a few of those submissions are still waiting on replies. That makes this year an anomaly in that I submitted more items than most other years, 48 total submissions, my second highest number of all time, but I had only one sale (again, so far). That success was "Beheaded" which appears in Madame Gray's Poe-Pourri, pictured above, and available on Amazon here. I also blogged about that particular sale here.

I had 11 poetry submissions, without any sales, and no non-fiction submissions this year. Just for comparison, 29 short story submissions is tied for my second highest, and 11 poetry submissions is tied for fourth highest. Eight novel submissions comes in second highest.

The most submissions I ever made in a year was 2018 where I hit 53, and it got me the most published works in a year as well with five total. This year saw my second most total at 48 as noted earlier. Third was in 2019 when I reached 47 total submissions, followed by 2021 with 44 total submissions, fourth was 2010 with 42 total, and 2020 with 35 total.

My goal for the coming year may be a little lower as I would like to start working on my longer works once again, namely my follow-up novel, and that Frankenstein project and hopefully get them both sent out to potential publishers or even agents.

I keep track of these on an Excel spreadsheet, and only recently started keeping track of total submissions each year. I find it helps me compete with myself to keep getting my works out there. If you see fit, feel free to tell me how many submissions you made last year, and how that looks compared to your other years. If it makes you feel better, I've had a lot of years with only a handful of submissions and even a few years with goose eggs.🥚😊

 

Shameless Self-Promotion

 

I was sending out my old manuscript for The Sorcerer to another small press recently, and their submission guidelines said their authors should be prepared to promote their work nearly every day. Most small presses, and even many large presses, want their authors to do quite a bit of their own promotion. Perhaps it has always been this way, but I think most people in the writing and publishing industry would say authors are expected to do more of their own promotion that at any time in the past. And most of that promotion at this stage should be about my current projects.

Then just today, I was in my Horror Writers Association-Virginia chapter meeting when we got to the end of the meeting, the point where we all discuss our current projects, and I spouted off a few items I have out for consideration. When they moved on to another member, it occurred to me that I had an intriguing story about my current manuscript project, Blood of the Werewolf but forgot to mention it.

With that in mind, here is that (hopefully) intriguing story:

I am currently in the editing process of Blood of the Werewolf, when I reached a scene that needed a total revision. Why? Because one of the characters was supposed to leave town by train, but the story takes place in 1815 England. When I researched the history of train travel, I discovered this was about 15 years too early for regular train travel. While many of my horror writing cohorts are researching far more interesting things like types of poisons and how much bloodloss a human can endure, I spent my writing session researching the history of train travel and the history of slippers. Anyway, it is a pivotal scene that cannot be totally deleted, so I must revise it in a way that the character uses a different mode of transportation. The most obvious mode of transportation would be ship.

This opened up an interesting possibility for the story. I want both The Sorcerer and Blood of the Werewolf to take place within the same universe, and it would be even better if they had another direct connection. But up until now they did not have any connections other than parts of both stories take place in England in the 1810s. The Sorcerer actually concerns a man who owns a shipping company. So this character in Blood of the Werewolf will now travel via the Nichols Shipping Company because it is the name of the shipping company the character in The Sorcerer owns, giving the two novels the type of direct connection I was hoping to create for them.

Oh yes, the photo above is me promoting a public presentation at Monster Fest.

Although I Have to Say Goodbye to the Summer.

Summer is just about over 😥. Being a horror fan and a horror writer, this is bitter-sweet. Summer is still my favorite season of the year, despite the fact that Halloween comes in the fall. So as I say goodbye to the warm weather and sunshine that summer brings, I at least get to say hello to some good television, stores filled with spooky decorations, and my favorite cereals making their return.

But the end of summer is also a time to reflect on what writing accomplishments I've managed to accumulate this year. I managed to publish only one work so far (several pieces are still out, awaiting response), a poem at Lite Lit One. But I also managed to write the first two chapters of Franksploitation,and had a meeting with my unofficial academic advisor about the project. He was very positive and encouraging about it. He even mentioned a book contract possibility already.

My total word count for the summer was about 25,000 words. I was hoping to produce almost double that, but I hit a wall during the second half of the summer, and couldn't seem to produce much of anything. I'm still working to get over that wall, and I think I'm pretty close. Of course, now my semester is starting again, so time to write will once again become an hiderance. Among those words, was about 9,000 words toward the Franksploitation nonfiction project, about 7,000 words toward my current fiction work in progress, Blood of the Werewolf, three band new short stories, and several new poems. Reading the blogs of other educators, I can console myself with the idea that no one ever seems to reach their summer writing goals.

I also found a new writers group to join in nearby Smithfield, Virginia. I never realized there was such a rich writing community in little Smithfield, but there are several published authors in that writing group, and we attended a presentation from another published author for one meeting. They provided valuable feedback on some of those new short stories I wrote this summer.

Additionally, I attended several events with the Horror Writers Association Virginia Chapter, where I was able to do some public readings, and talk with other published authors. I count this as more valuable experience.

As summer winds down, I'm mainly concentrating on my teaching duties. I starting teaching part time at another community college, along with my already busy schedule of two other higher education facilities. During the summer, I managed to land two interviews for full time positions with higher education facilities, but was unable to land either of those positions. This is still encouraging as it means I am gaining ground in this field. I will continue to write and submit, and hope for the best, while trying to pick up on more tips and helpful hints along the way to make me a better writer. Good luck to you as well.

My First Horror Writers Association Virginia Chapter Event

There are perks to membership. I have lately been blogging about some of those perks here. And recently, I have another story about just great this type of membership is.

Recently, I was able to participate in my first event with the Horror Writers Association Virginia Chapter, which was Unhappy Hour at the Edgar Allan Poe Museum in Richmond. It was a lot of fun. I was able to finally meet some fellow HWA members face-to-face who live in the area (or at least in the same state).

I also participated in my first public reading. It was a fellow member's piece, but it was lesson worth learning; from now on I will bring at least one piece to read just in case the opportunity arises. But at least I was able to provide a little publicity for a fellow member.

I was able to slip away for a quick tour of the museum, which I hadn't seen in about 15 years or more.

Oh yes, did I mention there were free drinks for HWA members?

We had a booth to sign up new potential members. Members with books to sell were able to do so.

I handed out a few business cards to maintain publicity for my current non-fiction project, Frankspoitation.

Oh yes, and drinks, I did mention the free drinks didn't I?

Anyway, here are some photos from the event.

What I Learned by Having a Mentor

This is author Tim Waggoner. He has been my mentor for the past few months. The mentoring program is over now, but I thought I'd share some of what I learned through the experience.

First let me go over how I got a mentor. I signed up for the Horror Writers Association mentoring program about six months before I was accepted. In fact, I had forgotten I signed up for the mentoring program by the time I was accepted. But it came at an important time. My writing had hit a plateau. I'm finally able to publish one or two short stories or poems a year at some small publications for nominal fees, but I just can't seem to break through to the next level. I'm really hoping the advice he provided will help me be able to publish with more regularity at larger publications. This made me very excited to have acquired a mentor in the first place.

When they told me who my mentor was, I felt like I had some homework to do (and some cyber-stalking). I had heard of him, but needed more information. Turns out, he's published over 40 books, some of which have received some critical acclaim, including the Bram Stoker Award for Superior Achievement in Long Fiction and he was a finalist for the Shirley Jackson Award. He's also published several short story collections. He's even published some novels with movie, television, and video game tie-ins, such as "Supernatural," Nightmare on Elm Street, and Resident Evil. I had to confess I felt a little overwhelmed and out of my league (and I probably was).

Tim's website can be found here.

Anyway, the first thing I sent him was my completed novel manuscript, The Sorcerer, and then I sent him a sample short story I had recently written. He provided a lot of criticism and advice to improve. One thing of note, If you are planning to become a writer you have to be prepared for all sorts of criticism. Even if you plan on self-publishing you need to be prepared for bad reviews from readers, and arguing with negative reviews only makes you look even more foolish.

His criticism basically broke down to two main ideas. One was that my characters needed to have stronger reactions to supernatural events. I write mainly horror and other genre fiction, so there should be some pretty strong reactions from my characters. There was some, but not enough, not nearly enough. For whatever reason, I could not see how little there was until he mentioned it. I guess that's the power a mentor can have.

The other was that I needed to start using a technique called "scene and sequel." He provided a link to the technique, but I found another that seemed to suit my needs a little better. This is supposed to be the technique that draws readers in and keeps them reading to the very end of a story. I went ahead and made some notes in one of my notebooks about the technique as well, and try to keep it handy whenever I write fiction.

The last thing I sent him was a PowerPoint of several chapters of Frankspoitation, the the non-fiction book I've been working on about Frankenstein films. He was far less critical of this, and felt it helped him see some of these films in a new light. I'm pretty close to sending a few sample chapters to a former professor of mine who's agreed to help me out on it. I'll blog about this again soon.

But the lessons Tim provided me concerning my fiction writing will not be forgotten. He's even agreed to keep in touch so I can ask him further questions when needed. I've since rewritten the short story I sent him and have written a few new ones, hopefully using many of the techniques he suggested. Remember that your story is always yours, ultimately, but feedback is still excruciatingly important. In fact it's crucial. I'm still looking for a critique group either online or in person. I'll keep at it, and hopefully keep improving, and hopefully I've provided some information here that others can use as well.

My Second Scholarship Haul

Some time ago, I won a scholarship, and a short time after, I posted about my first scholarship haul. Recently, I made my second scholarship haul (pictured above), which I would like to discuss today.

Starting with the lower left is a book titled It's Alive: The Classic Cinema Saga of Frankenstein by Gregory William Mank. I was very excited to get this book because I still remember pouring over it as a ten-year-old kid after borrowing it from my local library. Published in 1981,this was the very first book on Frankenstein films, and although it is chock-full of interesting stories about the development and creation of the classic Universal Frankenstein films, it is also filled with out-dated information. For instance, it talks about deleted scenes, such as the Monster tossing the little girl, Maria, into the water as though it is a deleted scene in the original 1931 film. This scene has been restored since the 1990s. It also mentions that Mary Shelley visited the actual Castle Frankenstein in Gernsheim, Germany. However, it is very unlikely Mary and her husband, Percy, ever visited actually visited the castle after all, even though they were within ten miles of the castle.

And this evidence is presented in the book to its right, Making the Monster: The Science Behind Mary Shelley's Frankenstein. Published just last year, Making the Monster by Kathryn Harkup is proving to be a fascinating read. It examines all of the science mentioned in Mary Shelley's novel and explains exactly what she was referring to in the book. Yet, it is more than just an annotated version of the Frankenstein novel, because Harkup proves to be a great story-teller, making this an extraordinarily fun read. While It's Alive is currently out of print (I had to hunt down a used copy), Making the Monster is available from Amazon and other book sellers. I highly recommend it.

The two DVDs at the top of the photo are seasons one and two of a television show titled The Frankenstein Chronicles. While I haven't had a chance to view it yet, it has been receiving rave reviews from all over the globe. I think it was originally produced by the BBC, and one should be advised that the DVDs will not play on most DVD players in the United States, unless you have a region-free DVD player, like I do. 😁 It is available on NetFlix. (I didn't provide a link because I don't have NetFlix.) The story follows a private investigator looking into mysterious murders that may or may not involve a certain mad doctor and his creation. I'm very much looking forward to it.

I will likely have two or three more hauls from the scholarship money as I still have not used up even half of it yet. I've outlined two more chapters for an academic conference I'm attending (stay tuned to this blog to find out how that went), and I plan on using much of my summer writing and researching as much of this project as I can. Wish me luck.

My First Scholarship Haul

I received my first haul from the Horror Writers Association Rocky Wood Memorial scholarship for Non Fiction Writing recently (pictured above). I'm pretty sure the contents at this stage will make sense only to me, but I will attempt to explain them anyway.

The books with the face cover are my methodology, Kenneth Burke's dramatistic pentad (or pentad on dramatism). It is considered a pragmatic approach to analyzing literature, or any other rhetoric. I will post more thoroughly on this at a future date.

Next to Burke is the first film purchase, Jess Franco's Dracula Prisoner of Frankenstein. I have a few other outlets to get films, but am pretty sure I will not be able to get this one from any other source, so I placed it in this first order. It's also a film I've been trying to hunt down for about 20 years. Jess Franco is (sort of) the Ed Wood of Europe, I like to call him. He makes horrible films, but has a certain amount of enthusiasm for the horror genre, which I can very much appreciate.

Below that are two books that I chose to order first because I think I can use them for far more than just this project. The Golden Turkey Awards is a list of the worst movies ever made. It didn't have as many Frankenstein films in it as I had hoped, but it is a fun read.

Next to that is a far more serious study, that of homosexuality in film, The Celluloid Closet. It is essential for one chapter, but it is a very important chapter, the one on James Whale's Frankenstein and Bride of Frankenstein, which I will examine together. Whale was one of the first openly gay figures in Hollywood. I would also like to use the book to write another article or two on Whale and the horror genre in general that will be separate from this book project. The book doesn't look exclusively at horror, but LGBTQ images in Hollywood.

I've also finalized the title of my book, Franksploitation and the Rhetoric of Filmed Frankenstein. I will be posting much more about it in the future, so please keep checking back, and don't be afraid to subscribe.

Photos from Monster Fest 2018

Here are some photos of my presentation, Franksploitation, Frankenstein exploitation films from the 1950s to the 1970s, at this year's Monster Fest. I'll provide more information on this even soon.