The MovieNauts

So I found myself involved in a YouTube Channel called the MovieNauts (linked below), I discovered I have not blogged about it yet, and thought I should really let people know I am involved in this by now. We discuss some of our favorite cult movies on the channel, which presents new episodes once a month.

Gary Hill invited me to join the monthly broadcast on YouTube over a year ago. I was not sure how this would go at first, or how I would fit in, but I think we've worked our way into a groove at this point. He works with independent filmmakers and has appeared in a few. He also works on a lot of the behind-the-scenes technical aspects of the show. So, on the show he covers a lot of the newest independent films, sometimes from people he knows, and other times movies he admires.

Ron Fuchs created the show. It's his baby, really. He came up with the idea for the show and has a few others similar to it, like ProgNaut, which discusses music. He tends to cover a wide array of cult films, and is especially knowledgeable of slashers of the 1970s to the 1990s on the show.

As Classic Camp, I mainly like to discuss the old cult movies, of course, but we each branch off into each other's territory from time to time. I've covered a lot of my favorite Poverty Row films of the 1930s to the 1950s, Bela Lugosi, Paul Naschy films, and plenty of kaiju films.

Anyway, linked below is the channel, so check it out. Each show runs a little over an hour, so sit tight, and watch, or let it play in the background while you work around the house of something. We're closing in on two years of episodes. We also respond to comments, so feel free to comment or suggest films we should discuss in future episodes.

 (7) The MovieNauts - YouTube

How Long Have I been Editing My Current Novel? (It's Complicated)

 

Not long ago, I was in a monthly meeting with the HWA - Virginia Chapter when I was asked how long I had been editing my current work in progress (WIP), and I was not ready with an answer. I am sure whatever I said sounded evasive, but honestly, I had to think about that question for a while, and was not quite sure what the answer was. The more I thought about it, the more I felt it may make for an interesting blog post about my process and since this is apparently going to be my second completed manuscript ready for submission to agents and / or publishers very soon, it may also make for great promotion for this labor of love.

The current project is titled Blood of the Werewolf, and as the title suggests, it is a werewolf tale. The setting is the early 1800s Great Britain (with a few key scenes in Tibet), which places it in the same universe as my first completed manuscript, The Sorcerer, which is still under consideration at a small press publisher at the time of this writing. I will one day blog about why I have chosen that location and timeframe, but the short version of that answer is, it is the era of literature I studied in college.

Anyway, I began my college career in the mid-1990s and it was around this same timeframe that I started thinking about becoming a author. It turns out to be a very long, hard, and slow process. One thing I did for fun and practice was to write novelizations of some of my favorite horror movies, such as those from Universal Studios. I had no intention of getting these published, but it was a way to try my chops at writing something of some length.

It made me start to think about writing my own stories about vampires, werewolves, and mummies, so I started writing a few longer pieces, more so for my own amusement once again than with any intension of trying to get it published. Once I had a few of these under my belt, I started thinking more seriously about writing a full length novel and hopefully one day getting it published. I decided that with some major revisions, these projects could be made into full length novels.

Those who say writing for yourself is very different from writing for publication are certainly correct. These stories needed a lot of work. In their original form they were only the length of novellas and novelettes as they ranged from 12,000 to 17,00 words. Most publishers like novels to be around 80,000 words. They needed extra scenes, backstories, more thoughts and emotions from characters and other elements to flush them out into full-length novels and make them much better stories in the process. At their heart, they were already novels, really, they just needed to be flushed out to reach their true potential. The first of these stories I did this with was what is now titled The Sorcerer, and in its final form it reached the industry standard for a finished novel at 80,000 words. The second is the one I am working on now, Blood of the Werewolf.

So to finally return to the question above (You do remember the question above, don't you, "How long have I been editing my current novel?") The original 17,000 word version was completed sometime in the late 1990s. Then it was placed in a drawer for a very looooong time. I completed The Sorcerer, and edited it I don't even know how many times, until I decided I could no longer edit it. I finally put what at the time were the finishing touches on The Sorcerer around 2017. And I finally started a major revision of Blood of the Werewolf. But the question now is, does revision count as editing? I would say that since this revision was so massive, it is probably does not count as true editing. It became practically a new story.

But then in 2019 I received a mentorship from Tim Waggoner through the Horror Writers Association. He gave me some good feedback on that novel and insight as to why it was not attracting agents or publishers yet. In order to make Blood of the Werewolf come out right, I had to put it down once again and edit The Sorcerer one last time. This took about another year, which brings us to 2020, the year of Covid. I did work on it some during the pandemic, but like many other authors and publishers, no one was as productive as we wanted to be during those odd two years.

The editing process for Blood of the Werewolf I believe started around 2020 or 2021 (not counting the major revision years). I am now very close to getting this one finished and should have it done very soon. I'm editing page 306 out of 363 and it now totals almost 79,000 words. I will make sure it reaches at least 80,000 words by the time I am finished. It may need one more pass through before I am comfortable sending it out to publishers and agents, but that should only be a light edit to clean up a few things and ensure continuity throughout the novel.

I feel as though I am getting faster and better at this, and I've never missed a deadline when I've been given one. I am also getting excited to write more follow-ups to these stories, as I have one more, Osiris, that is in a very rough draft at about 13,000 words, and I have notes on numerous others in the series. The fact that I have been able to publish more short stories, poems, and non-fiction articles in recent years also shows I am improving. And keep in mind that I also wrote many of those short stories, poems, and non-fiction articles in between revising and editing these novels. Wish me luck with these and other projects in the future, so that I can post this self-made meme once again:

'Tis the Season for Literary and Academic Festivals

Lately, I have been making the rounds to a number of literary and academic festivals and conferences. On March 16, I attended the Suffolk Mystery Authors Festival in downtown Suffolk, Virginia, which is the city where I currently live. It was nice to talk writing and books with several fellow writers. I was also scoping this event out for a possible table for either the Horror Writers Association Virginia Chapter to get a table at the event next year, or for me to get a table by myself. I think the Edgar Allen Poe anthology I appear in would be a good fit for this event, and I know some of my fellow Virginia chapter authors also write and have published some mysteries.

While there, I attended a presentation on short story writing, because that was something that I do and wanted to hear more about what these authors had to say about it.

After the festival, I was notified by mail that I won a raffle for a bundle of books by one of the authors, Karen McCullough. I have not dug into these just yet, but some of them do look tempting, and I can wait to cut into them soon.

I also work in higher education, and spring is a popular time for many academic festivals and conferences, which we sometimes call "academic development." It helps for teachers to get together once in a while and confer with each other about what we are doing and share ideas. One such festival I attended was the Old Dominion University Spring Conference on the Teaching of Writing. Being an ODU alumnus, I always enjoy getting back on campus. Interestingly, while I was there, I ran into Kole Matheson, who did a presentation with me at the 2018 conference. Not only did he recognize me, he even remembered my Frankenstein project that I presented that year (hoping to work on that again this summer).

After that, I attended the Norfolk State University William Carroll Writers' Festival. I enjoy teaching English composition at NSU, which is a traditionally Black university. During this festival I was asked to do a public reading, so I read my latest short story, "Beheaded" which appears in Madame Gray's Poe-Pourri of Terror, and is available here (plug, plug). The reaction was a mixed bag of those who seemed to love it, and those were more than a little shocked (in a good way [I think]).

Later in the festival, I participated in a creative writing activity where we were given cards from the kids' board game Apples to Apples and asked to come up with something within a few minutes. I ended up with the card "Knock, Knock" and thought to myself, "What the hell am I going to do with this?" But then I just used a little stream-of-consciousness to see what followed, and I think I actually came with something pretty damn good. I might even try to sell it as a poem after a little editing to clean it up. That could be a good activity for others to try at home. This may have also led to me finding a new summer writing group🤞.

Lastly, just this week, I attended a professional development presentation at the other higher education institution where I teach, Paul D. Camp Community College. It was about latest practices on diversity and distance learning. Again, it's a good way to compare what I do in the classroom with some of my colleagues and provide ideas on how to improve.

And speaking of PDCCC, I was asked to add another literature class in the second eight weeks of the semester, which I was allowed to gear toward Romantic elements in literature, both during the Romantic movements in the United States and England and unto today. I do feel that teaching writing and literature improves my own writing, and would encourage anyone who is qualified to teach to do so. I may have to post a little bit more about this at another time as it lends itself to another topic.

That's about it, and looking at it now, boy have I been busy. Even if I have not had that much time to write lately, I have been immersing myself in the writing, education, and publishing field. This immersion, in my opinion is the best way to find success (I hope).

Last year's Monster Fest

Let's take a look at a few photos from last year's Monster Fest, which took place on October 1, 2022, in Chesapeake, Virginia at the Chesapeake Central Library.

I worked the table for the Horror Writers Association where I signed up a few prospective members for the organization. The table was positioned between other HWA members, authors Red Lagoe and Pam Kinney. Author Brad Center also worked the table during the day.

I watched the costume contest, which is always fun. These are this past year's winners. I always consider the costume contest to be the main event of Monster Fest each year.

 Here is me displaying the line-up of events for the day. The HWA Virginia Chapter ran a panel / presentation on the importance of joining writing organizations. Overall, it was another fun event put on by Rob and Phyllis Floyd.

Shameless Self-Promotion

 

I was sending out my old manuscript for The Sorcerer to another small press recently, and their submission guidelines said their authors should be prepared to promote their work nearly every day. Most small presses, and even many large presses, want their authors to do quite a bit of their own promotion. Perhaps it has always been this way, but I think most people in the writing and publishing industry would say authors are expected to do more of their own promotion that at any time in the past. And most of that promotion at this stage should be about my current projects.

Then just today, I was in my Horror Writers Association-Virginia chapter meeting when we got to the end of the meeting, the point where we all discuss our current projects, and I spouted off a few items I have out for consideration. When they moved on to another member, it occurred to me that I had an intriguing story about my current manuscript project, Blood of the Werewolf but forgot to mention it.

With that in mind, here is that (hopefully) intriguing story:

I am currently in the editing process of Blood of the Werewolf, when I reached a scene that needed a total revision. Why? Because one of the characters was supposed to leave town by train, but the story takes place in 1815 England. When I researched the history of train travel, I discovered this was about 15 years too early for regular train travel. While many of my horror writing cohorts are researching far more interesting things like types of poisons and how much bloodloss a human can endure, I spent my writing session researching the history of train travel and the history of slippers. Anyway, it is a pivotal scene that cannot be totally deleted, so I must revise it in a way that the character uses a different mode of transportation. The most obvious mode of transportation would be ship.

This opened up an interesting possibility for the story. I want both The Sorcerer and Blood of the Werewolf to take place within the same universe, and it would be even better if they had another direct connection. But up until now they did not have any connections other than parts of both stories take place in England in the 1810s. The Sorcerer actually concerns a man who owns a shipping company. So this character in Blood of the Werewolf will now travel via the Nichols Shipping Company because it is the name of the shipping company the character in The Sorcerer owns, giving the two novels the type of direct connection I was hoping to create for them.

Oh yes, the photo above is me promoting a public presentation at Monster Fest.